First of all, did they really ditch
Grey's Anatomy in favor of the Oscars? Shameless. Just as I'm finally feeling okay with an addiction to a mediocre show with amazingly beautiful people, they leave me hanging for a week. Also, since when is Sandra Oh not that attractive "until she grows on you"? I don't get it.
Second, did I really just spend this entire weekend in A-41? Shameless. After opting out of the Redline festivities (yeah 2006!! ...sigh. I miss my class), Friday night turned into Mellow Time at the movies. It
was my choice to watch Aladdin instead of Chinatown, which I've never seen... but then again, did I really have a choice in the matter? When you've got the hots for Jasmine, you've got the hots for Jasmine.

Oh, speaking of which. Apparently back when the movie was in the theater and on VHS there was some kind of sexual comment hidden in a scene with Aladdin, the princess, and a
tiger. It was nowhere in the DVD edition, but it's nice to know that whoever started the Little Mermaid business is still busy finding sex in Disney movies. Brings me back to my days of social psychology, with Professor Epley playing "Another One Bites the Dust" backwards in class. This one's slightly more believable than that particular ditty, although after having watched four movies in a day, two of which were your not-another-teen-movie type of movie, you'll hear any sexual comment you want to hear.

Other than that, the weekend was pretty much defined by playing Frustration in A-41 (is that a pun?), napping on Futons along with Friends, nursing my injured Foot, and lots of other F-words. Or, maybe not so much.

As an avid popular music enthusiast of bygone eras, I happen to prefer most songs in their original formats to the better-known covers of today. Extreme, Elvis, Dylan, Diamond, etc... I pay these people homage and stick to them loyally. But is it because I heard these songs first, or because I believe the older guys had it right? It's hard to deny that Hendrix does something amazing with "All Along the Watchtower," even Dylan didn't try to object when it came out. But how do I defend the stance? A noted friend revealed their preference for Rufus Wainwright's version of "Hallelujah" to the one I have placed on a pedestal since I first heard it. I'm not sure if I can live with that dichotomy of taste; I value hers quite a bit. What do you think?
It's good to catch up with old friends.